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X-Men Origins: Wolverine

PG-13 for intense sequences of action and violence, and some partial nudity

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The Story

“X-Men Origins: Wolverine” takes us back before the 3 “X-Men” films to hear the backstory of the one with the pointy retractable claws and the anger issues. Turns out Logan (Hugh Jackman) was just a pup on the day in 1845 when his father dies and he discovers his powers, including the fierce-looking bones that protrude from his fists and the fact that it’s really hard for him to die. He also discovers a brother, Victor Creed (Liev Schreiber), with pointy teeth and lethal fingernail claws.

The pair become a never-aging fighting force, lending their killing power to the Civil War, WW I and II, and the Vietnam War—until recruited by Colonel Stryker (Danny Huston). Stryker adds them to a special ops team of other mutants for black ops missions around the world. Logan leaves the group—and his brother—over their treatment of innocent civilians.

Flash forward a few years: Logan’s quiet Canadian life with his girlfriend is disrupted when first Stryker, then Victor, track him down and drag him into a growing conflict between the mutants. Before the story is done, Logan will find his bones fused with an indestructible alien alloy—making him even less likely to die—and a new mutant named Deadpool (Ryan Reynolds) will have been formed with the combined deadly powers of several other mutants to force an inevitable showdown.

Content Issues

Not only is there lots of action violence in the film—some of it brutal, yet strangely bloodless—there’s also a high body count that includes innocent bystanders and mutant combatants. Logan and his lady live together unmarried; we see both in bed, in revealing attire, and later him nude from behind running for his life from bad guys. Harsh language is constant and includes uses of God’s and Jesus’ names for swearing.

Worldview Talking Points

The first big blockbuster of the “summer” kicks off with plenty of hype and a nearly guaranteed teen audience, especially guys. Those hungry for the rewarding storytelling experiences that came with last year’s “Iron Man” and “The Dark Knight” may be disappointed, but the action and special effect deliver enough heat to make it feel like summer.

This “X-Men” outing worries less about the big worldview issue of evolution, though that’s foundational to the “X-Men” universe in which mutant powers are the result of the next step in the forward advancement of the human species. In fact, “Wolverine” offers very little satisfying worldview meat to chew on, at all.

It borrows heavily from “Dark Knight” in its tone, killing off innocent and major characters one after another without much of a second thought. But it doesn’t follow the Batman, Spider-Man, or even Iron Man films in dealing much with issues of right and wrong, good and evil, or justice and forgiveness.

Logan is the only character who appears to be motivated by moral choices, at all. And even his right choices come across as mostly self-serving. He certainly doesn’t often stand up against evil in a heroic way. And the evil he does fight—especially that of his brother—is also watered down. What do the bad guys really want?

We hope a few of the following questions will provoke some good conversation with your son or daughter about any big ideas that emerge from watching “Wolverine.”

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